Introduction
Lightning is a vital element when coming to the production of the scene. The lightning will be especially important when coming to taking photographs for our Digipacks and magazine advertisement. When coming to film our music video we will be outside for the most of it, so will be natural lightning. For this to be effective we will have to plan out the timings in the day to get the right lightning ended. We will also take in consideration when filming the fire scene, that we need to have the correct lightning around in the scene to make the contrast between the two effective.
Photographs:
Here is some photographs we have taken while our teacher shows us the whole layout and each equipment we could use to get the best quality lighting in our Digipacks, any photographs we take and footage.
Here is some photographs we have taken while our teacher shows us the whole layout and each equipment we could use to get the best quality lighting in our Digipacks, any photographs we take and footage.
PRACTICING-(BEHIND THE SCENE)
Here are some photograpths of me and Mea practicing with the equitment we have been introduced to. We have photographed our casted actors to see how they perform infrotn of the camera without lip-syncing as well as some other volunteers.![]() |
| Setting up the backdrop |
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| As you can see the backdrop was to creased and dirty, we would use a steamer to iron out the creases or a plain white wall for the background. |
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| Here we are setting up the light equipments. |
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| Here me is placing the red covered sheet onto the base light. |
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| This was the final outcome after me and Mea placed and settled all the equipment up. |
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| Here are a few behind the scene photographs that me and Mea are capturing of Julia, a volunteer. |
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| We moved the standard base lights towards Marvin to create a more intense photograph and then carried on using this technique. |
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| Here is also some behind the scenes photographs of me and Mea photographing one of our casted actors for our music video. This helped us see how Ophelia would act for photographs not just film. |
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| We also tested out all the coloured sheets available however the only successful sheet was the red and sometimes the yellow depending on the amount of light visable. |
PRACTICING- (PHOTOGRAPHS)
Here are the after shots from the practice photoshoot me and Mea set up.
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| This is a close up of Julia's face by only using the two soft box lighting within a long distance. This created a darken affect on the higher levelled features of her face. |
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| This picture however looks more happy and lightened. We change this affect by moving the direction of the light towards her face. |
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| We then asked Marvin to be photographed to see if the hight would change the way the photographed looked with the soft box lights standing next to him instead of Julia and Ophelia. |
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| We changed the yellow coloured sheet to blue and as you can see the blue wasn't as vibrant as the yellow, however it did give marvin's eyes a sincere look. |
Videos:
Here is some videos we found on youtube that helped expand our knowledge on how lighting works and on how to create more affective photographs as well as film.
Here is some videos we found on youtube that helped expand our knowledge on how lighting works and on how to create more affective photographs as well as film.
Basic lighting techniques:
4 Basic lighting techniques:
How to shoot in low light:
Cinematic lighting without electricity:
CONCLUSION
Over all the practicing of the lighting helped me and Mea alot as we now have more knowledge on the lighting as well as having a more clear idea on how we could use lighting in our music video, Magazine and CD Digipack.



































